Saturday, May 25, 2024

Movie review: Sign Painters documentary

I've been aware of this documentary for awhile but only got around to watching it today. There is also a companion book which I'd read prior to watching the documentary. The documentary is from 2013 so it's not extremely recent, although there probably haven't been a whole ton of changes in the sign painting industry since then. 

It's not a documentary about the history of sign painting, but rather about working sign painters and their careers and a bit about the industry overall. Numerous sign painters are featured in the documentary and they talk about their work, basically. It also doesn't go into too much detail about the how-tos of sign painting, although there are some bits here and there that mention various technical aspects like using a pounce pattern. The sign painters take great pride in the tradition of their craft despite the prevalence of computer-created vinyl signs today (one of the people featured in the documentary says "Victory Over Vinyl" would be a good name for a sign painting shop).

Overall I found it interesting, even though it isn't instructional in nature. It is a good 80-minute introduction to the topic of sign painting in general. The book features written profiles/interviews of various sign painters and probably goes into more detail about each individual person. I also think there are a few people in the book who aren't interviewed in the documentary. 

I did find the sound editing in the documentary somewhat lacking; in various parts the background soundtrack is a bit too loud while people are speaking, and in other parts that are filmed on location, background environmental noise is kind of loud and makes it harder to understand what's being said.   

Sunday, May 19, 2024

Book review: Five Days at Memorial

I read this book just recently even though it was originally published in 2013, which was about 8 years after the hurricane. The book details what occurred in the immediate aftermath of Hurricane Katrina at a specific New Orleans hospital, whch was then known as Memorial Medical Center. Although I’d obviously been aware of the vey broad strokes regarding the hurricane, it actually was not something I’d read up on in that much detail.* At the time it occurred, I was still in elementary school so I just have the vaguest memories of probably seeing news about it on TV, probably Brian William’s NBC program as that’s the nightly news show we used to watch back then. Living far away from the Gulf Coast, this wasn’t a formative memory for me in the firsthand sense, but the news coverage of hurricanes in the mid-2000s must have made an impression on child me in that I began to have the vague wish for something “interesting” to happen, like a hurricane.

*okay, well, I did read Anderson Cooper’s memoir in which he describes his experience reporting on Hurricane Katrina. That was just a portion of the book though, and he also described other events in his life.

So there is a strange sense of nostalgia here about the concept of delving into information about something I was vaguely aware of at the time and able to remember simplistically, but too young to fully grasp the scale and gravity of the situation. Unlike my reading about 9/11, which was more as if reading about a historical event that I had no conscious memory of at all, being less than 5 years old at the time.

This book is specifically about what happened at the hospital during five days after the hurricane and the investigation into the incident afterwards. The city had flooded and the beleaguered hospital could not evacuate all of its ailing patients in a timely, efficient manner. Some of the most severely ill patients that had not been evacuated were purportedly euthanized. This book does not provide a broader picture about Katrina’s impact on New Orleans overall, though there are probably other books that do.

I personally found this book very well-written and riveting. The structure of the information was straightforward to follow and not confusing. The events were described chronologically, beat by beat. Although there are many different people whose actions are described in the book, the author is precise in keeping them all differentiated, often mentioning a person’s job title upon subsequent references to remind the reader of that person's role in the events.

Tangentially, in contrast, I found the elongated muskrat biography from the other year to be very haphazardly structured, jumping around a lot chronologically. There were also way too many different people’s names that were impossible to fully keep track of because people’s job titles were typically only mentioned at the introduction of a given person. Upon subsequent references, I just had to try and vaguely remember who was who outside of a few main, more prominent and memorable people (Grimes, the Muskrat family, the ex-wives, the Neuralink employee he also had kids with).

It is very detailed and thorough, painting a vivid picture of the events it describes. A few of the reader reviews I read complained that there were too many superfluous details included, like what various people were wearing at a given time, but I didn’t mind that level of detail. Every piece of information had its place and seemed salient. I myself am a very detail-oriented person, so I can appreciate painstaking levels of detail where others might find it overwrought. I repeatedly referred to maps of the city to observe where specific locations mentioned in the book were. The hospital itself was repaired, reopened and remains in the same location today. A Walgreens mentioned as being across the street also appears to remain.

This book was written by a journalist and in general I find them to be good at writing nonfiction books, as it’s essentially an extemely longer-form sort of news article. The events described in the book obviously raise various ethical questions, which are interesting to contemplate. Who should be prioritized in a disaster situation with a shortage of resources? Is it right for a doctor to decide they should end a patient’s suffering in that kind of situation? I found the book very thought-provoking; it’s interesting to try and think about what I myself might do if I were in the position of the doctors and nurses at the hospital.

One of the things the book did not contain was photographs, except for a couple at the very beginning showing the hospital building amidst the flooding. I read an e-book edition, so maybe there was a photo insert in the print edition? I wanted to be able to better visualize some of the settings and scenes depicted in the book, so I looked up some press photos via Getty Images and the Associated Press. The first images of scenes at the hospital from the AP were taken on Wednesday afternoon (day four in the book). I assume it must’ve taken until then for photojournalists to be able to make it to this particular location to take these photos. There are a few photos depicting the scene outside the hospital on that Wednesday afternoon as some people were being evacuated in boats. As described in the book, people waited on the emergency room ambulance ramp to board boats that would take them away from the hospital to dry ground. In one of the photos, a man in green scrubs stands on the side of the ramp among a crowd of others. He is not named in the photo’s caption, but I wonder if he was one of the doctors mentioned in the book, and if so, which one. Cross-referencing with chapter 6 which describes Wednesday afternoon and the ramp scene, the man in the photo may have been doctor Ewing Cook who was at the ramp then, but I can't be completely sure. In the book, he is described as being retired, so presumably older, and the man in the photo looks older. He is also described as wearing a watch, which the man in the photo does.  

A year or so after the hurricane, the hospital was sold by the company that had owned it and was renamed to its current name, Ochsner Baptist (originally, it had been called Southern Baptist Hospital). The hospital is visible on Streetview. What is (tangentially) kind of interesting to me is the architecture of the building, which has had various extensions and additions built onto it over the years. However, (part of?) the original 1926 building appears to remain, which is built in an old-fashioned brick style. Since local hospitals around here have all been built more recently, it’s a little unusual to me to see a hospital building in the style of the early 20th century. My mental image of hospitals is either a midcentury-ish-looking building or possibly something newer in a very generic 21st (or late 20th) century institutional building style. The architecture of Baptist hospital reminds me of the old dormitory buildings at the state university or older apartment buildings.

Friday, May 5, 2023

Book review: Comfort Me With Apples

This was a really strange book I read last night. It's very short, technically only a novella, so I finished it in about an hour. The description says "Comfort Me With Apples is the age old tale of the garden of Eden and the apples that have the knowledge of good and evil. It is the age old story of escaping from a life you were once content with when you realize why you shouldn't be content." 

Essentially, this book is a biblical allegory, and I knew that going in so the parallels were rather obvious while reading. In some Goodreads reviews, people said they didn't realize it was a biblical allegory until the end. Overall, I didn't like it that much, but I can sort of see what the author was going for. I wouldn't recommend this book unless it was specifically for a person I thought would be into weird biblical allegories with slight magical realism touches. 

It does not hit the spot of light surrealism the way I like. I would consider this book to be more like magical-realism-tinged medium to heavy surrealism, in some ways. Primarily the premise, which is only fully explained by the end of the book. At the beginning, before everything is made clear, it may feel more like light surrealism. Since I knew going in that it was some kind of biblical allegory, by the later portion of the book I could kind of predict/figure out what was going to happen. It overall felt a bit too predictable in an unsatisfying way, even regarding some other aspects in the beginning.     

At the beginning, I didn't particularly like this book. The writing style seemed too overwrought for my preferences. Towards the end, the writing style recedes somewhat and becomes a bit more normal as the plot picks up. But overall, I found this book rather meh and probably would have been more disappointed if it were longer and I'd spent more time on reading it. It gave me a similar feeling of "what the fuck did I just read" like J.G. Ballard's book "Crash," which was also bizarre but in a fairly different way. A review I saw somewhere said that it's slightly reminiscent of the short story The Yellow Wallpaper. 

I think I could have theoretically liked this book more if it had taken a more typical track/premise and were written more like a standard thriller/mystery, instead of a biblical allegory with magical realism. Or if it had been more of a sci-fi surrealism story. I am really not into fantasy or magical realism, which is adjacent, like fantasy-lite. 

In terms of surrealism, there are different flavors or subtypes. I particularly like light surrealism (could also be called subtle surrealism?) but medium to heavy surrealism can be interesting too. Aside from degrees of surrealism, the particular flavor or style has an impact too. A Clockwork Orange, for example, is more like dystopian-flavored heavy surrealism. There's technofuturist-surrealism (such as cyberpunk themes) which can also include dystopian surrealism. There are other varieties that aren't quite as easily described. 

Monday, March 27, 2023

An interesting video essay

In somewhat of a departure from this blog's usual content... 

I came across this video essay, which is 30 minutes long. I didn't feel like watching it so I used a website that generates a transcript of Youtube videos to read what was said in it. It's about deepfakes and their use in pornography and why that's bad for society. It was rather interesting. 

The transcript is quite long, but I guess that's what happens when it's from a 30 minute video. Here is the transcript for both my and your (theoretical reader) future reference. It was made via Youtube's autocaption feature, so there are probably some errors here and there where it couldn't really make an accurate caption/transcription. So I tried to format and clean up the transcript a bit. In some places I assumed a word or two that would make sense if the autocaptioned words didn't. 

Sunday, March 19, 2023

El Centro del Confinamiento del [redacted] en El Salvador

Cuando escribo en mi blog acerca de tópicos o películas/libres/etc. de España o Latinoamérica, me gusta tratar de escribirlo en español. Por eso, esta publicación es en español. Uso el sitio languagetool.org para chequear la ortografía y gramática. El sitio es muy útil. Es como Grammarly, pero en otros idiomas. 

En los últimos días, hay un tópico en las noticias, aun en los EEUU, que es tan interesante para mí. En El Salvador, hay una prisión nueva que es la más grande en las Américas. La prisión se llama el Centro de Confinamiento del [redacted] y es para encarcelar los pandilleros quien aterrorizan el país. El presidente de El Salvador publicó unos videos propagandísticos mostrando la prisión y los pandilleros cuando se trasladan a la prisión nueva. 

Los críticos de la prisión dicen que el presidente está creando un estado policial. En los videos, la prisión es muy impresionante. Las luces eléctricas son tan brillantes y hay tantas celdas. En los videos, los pandilleros corren entre líneas de guardas armadas y entran sus celdas apretadas. Sienten en el suelo concreto de la prisión con sus manos encima de sus cabezas. En cada celda hay 100 prisioneros. 

Los videos son un poco surrealista para ver. En los EEUU, no hay prisiones tan grandes o con 100 prisioneros en una celda. El presidente de los EEUU no visita prisiones nuevas para celebrar la construcción. Un estado policial no es bueno, pero en el otro mano, hay que hacer algo para controlar los pandilleros y la violencia de las pandillas. La prisión nueva es una solución posible. 

Tuesday, February 7, 2023

Book review: 1Q84 by Haruki Murakami

This is a book I had been wanting to read, in the back of my mind, for many years. Probably ever since around the time it had been translated and published in English, which was 2011 or so. Only recently did I finally get around to it. 

I do tend to enjoy abstract things in artwork and other areas, so this book fits within that category. It is somewhat abstract and has surreal elements. The surreal elements aren't overboard in my opinion; the rest of the book seems realistic. The writing style is plain and matter-of-fact, but I didn't find it boring/unappealing. It's definitely not full of flowery language, though there are a series of interesting metaphors/analogies sprinkled throughout the book (ex: "we must move him to another world"). 

Though the book is close to 1000 pages in print, it goes by relatively quickly and doesn't feel overly dense/hard to read. I finished it within about a week of reading days (spread out over a period of two weeks). It doesn't really share many similarities with Orwell's 1984 despite the similar title. Apparently the title is supposed to be a pun/play on words in Japanese, as the letter Q and the number 9 are pronounced similarly. In English, the title more logically should have been 1?84, since in the book Q is explained as standing for "question [mark]" and the Japanese-language pun wouldn't have been evident to English-speaking people. 

It reminded me somewhat of Klara and the Sun (by Kazuo Ishiguro) since both books are somewhat surreal and hint at/allude to things in the plot rather than fully explain them outright. I would probably read more by Murakami in the future. 

Without spoiling the plot too much, 1Q84 is about two people who are thrust into an alternate universe and have to figure out what's going on with that, as well as trying to get back to the regular universe. The story switches between each character's perspective with each chapter, and there are various parallels interspersed in each of their storylines. I had very little idea of what exactly the premise of the book was when I started reading it. I only knew that it took place in Japan and was maybe somewhat surreal somehow. So I wasn't really sure what to expect from it, but in the end I did enjoy the book.

I'd like to read more (translated) books by Japanese authors in the future, including the ones mentioned here but possibly others as well.    

Monday, August 1, 2022

Movie review: Speed, 1994

I had recorded this one on DVR a few weeks ago after noticing it was scheduled to be on and seeing that it starred Keanu Reeves. I was unimpressed by the John Wick series (at least the two movies of it I've seen), but I figured I ought to give some of his other work a chance, him being a famous actor and all. And this movie presented itself. 

I have to say, this one did a much better job of showcasing Keanu's acting talents and range. (I also think he looks better clean shaven) He really doesn't talk much in the John Wick movies; he mostly just kills people and his character doesn't seem particularly developed or to have much depth, even though he is the main character. After awhile, I got to thinking, why didn't his character in John Wick just kill *himself* as opposed to all the other people? It is left unspecified. Those movies are pretty much only good for watching Keanu's character kill a bunch of people; there is very little depth to the plot, in my opinion. His character does get a fair amount of facial cuts, which reminded me of a post I did years ago analyzing facial cuts in various movies... I've digressed. 

The premise of Speed has to do with bombs and terrorism -- a bomber sets various bombs and is in a game of suspense against Keanu's character, a SWAT team member with the LAPD named Jack Traven, who is working to disarm the bombs and save civilians held hostage by them. At first, I assumed his last name would be pronounced rhyming with raven, but it actually rhymes more with haven('t). It is a very suspenseful and thrilling movie but it's also very well done, quite well-written. The scenarios presented in the movie happen to mean Keanu gets to express a wider range of emotions and tones in the character of Traven. The stakes in this movie feel more realistic and therefore more engaging compared to the John Wick series. 

Even though it's an action movie which you don't generally expect to have that much depth, it was somewhat surprisingly a bit thought-provoking. There's even a little bit of a media ethics angle in there you could contemplate. It made me wonder what it might be like to be in a situation like the one(s) depicted in Speed. It also kind of made me think my life isn't thrilling enough, but on the other hand, maybe that's actually a good thing. 

I was contemplating rewatching Shattered Glass today instead, but I don't know where my DVD copy of that is. That's a good one too though. Maybe Keanu is known for starring in action movies; I'm not entirely sure. I'd be willing to watch some of his other work beyond this, particularly anything that's a little more drama-based, not action. I do wish Keanu had more non-action movies in his filmography because I wouldn't mind watching more of him as an actor, but at a glance, it doesn't really look like it. 

In terms of the types of roles/movies an actor has been in aligning with my tastes in film genres, I'd say Jake Gyllenhaal or Peter Sarsgaard's filmographies fit fairly well. James D'Arcy too, but I haven't watched any of his movies that recently. Somewhere I have (had?) a list where I wrote out which films I'd seen starring specific actors, but I don't have that handy right now. It would be interesting to maybe track/analyze that a bit more closely.