Thursday, November 28, 2019

Movie review: Taxi Driver

Another (famous) movie I can add to my list of having watched. Conveniently, it's currently on Netflix. For some reason I woke up in the middle of the night (sort of, 4:30 a.m.) and couldn't go back to sleep, so I decided I'd try to find something to watch. Taxi Driver seemed like it could potentially be an interesting watch and it's also famous, so I figured I should watch it since it feels like one's supposed to have familiarity with famous movies like such. (I also want to watch American Psycho, but I kind of am waiting until I read the book first...)

Anyways, it was an interesting movie. Netflix rated it as a 92% match, whatever that's supposed to mean. I suppose they were rather correct though; I did like the movie. I hadn't realized that Martin Scorsese's directing career extended all the way back to 1976. I have liked some of his other work, such as The Departed and Shutter Island (he also directed The Wolf of Wall Street, which I also should watch at some point... and which also features Leonardo DiCaprio).

The movie is set in the 70s, presumably contemporarily to when it was released. The 70s aesthetic and fashions you can see in the movie were interesting to me and it makes me want to go to the thrift store and buy some 70s clothes... although perhaps I could cobble together an outfit out of some stuff I already have.

I liked the cinematography; it was nice and measured, particularly the various scenes of the nighttime taxi driving. Visually, I liked the movie. (I can't quite think of movies where I distinctly disliked the cinematography -- maybe No Country For Old Men, but I just generally hated that movie overall, not specifically due to the cinematography).

In tandem with the cinematography, I also liked the soundtrack/score -- again, it had a measured/meditative feel to it and contributed to the atmosphere of the movie.

Obviously watching this movie in 2019 is a bit of a trip; there are various outdated things that we don't do/have anymore. Typewriters, payphones, having to go to a record store when someone tells you about a song... I wonder if a present-day remake or movie with a similar premise would be able to have the same effect as Taxi Driver. I guess in a present-day version, the eponymous taxi driver would probably drive for a ride-hail app... Taxi Driver was contemporary to the time it was released, so obviously the sense of outdatedness I get watching it now, decades later, was not present for people who saw it back then. And maybe I shouldn't say outdatedness; that has a bit of a negative connotation yet I don't mean it in a negative way. Maybe retro is a more fitting term.

I thought that maybe this movie might have some kind of funky twist at the end, but it didn't. Still, it was an interesting and worthwhile watch. It was also a bit more tame, in a way, than some other movies I've seen. I thought that maybe it might be a bit more suspenseful and thrilling and/or have more action or something, although it didn't. Not that this was a bad thing; it was just a somewhat calmer movie than I thought it might be. 

I guess what I mean is that I thought it might have more conflict, or rather, more drawn-out conflict/conflict that was less subdued. Subdued is a good word to describe it I think. This movie wasn't an emotional or action rollercoaster as some others are, movies that are really intense. Most of the conflict in this movie happened in succinct bursts, with very quick falling action phases.

I was not really familiar with this movie at all before watching it; I read a brief blurb about it to give me an idea of the premise, but otherwise I just knew that it's apparently a famous movie. I think at some point I might've read that it's supposed to be a commentary on American society in the post-Vietnam era, although I don't remember the details.

I think it's interesting to view media and consider how or what it reflects about the time period it was made in. What is it portraying, and how does it portray said subject. The tv shows and movies that are being produced today or within the last few years are a reflection of our current era.

I got the feeling that Robert De Niro, in this film, looks like someone, but I can't figure out who. I know that I'd watched another movie in the past that he was also in (albeit older) so that's why he could look vaguely familiar, but I'm not quite sure that's it... I'm always thinking that people look like other people, so this shouldn't be too surprising. (edit: he also apparently was in The Deer Hunter, which I've seen a portion of)   

It was in the same vein as various other movies I like: the other Martin Scorsese films I mentioned above, The Girl With the Dragon Tattoo, Prisoners, even Requiem for a Dream, etc. I seem to like movies that are darker/grittier thematically. If it fits in the genre psychological thriller, it's probably my thing. I'm not really sure where I got my taste in movies; I watch stuff that my mother would have absolutely no interest in.

Come to think of it, this movie also reminded me a bit of Nightcrawler (which Jake Gyllenhaal is in). So I went to go look up and see if Nightcrawler was influenced by Taxi Driver, and it seems like it was -- the poster strongly alludes to Taxi Driver's poster:

Friday, November 22, 2019

TV show review: Portlandia

A few weeks ago I started watching this show. It is a semi-abstract/surreal comedy series, featuring two actors/comedians who play a wide assortment of different characters. I'm nearly at the end and I haven't gotten sick of it yet, so I think I can be confident in calling this a Good Show.

The premise is that it takes place in Portland and is (at times) a satire of the culture there. It's... difficult to convey the nature of the show in words. I think it's the kind of thing that you really have to watch in order to grasp.

It might not be for everyone, but I've liked it. It's a nice mindless watch; a bit more offbeat/quirky than Parks and Rec or the American Office. (weaknesses: eczema) It's been quite awhile since I watched either version of The Office, although to my recollection, the UK version has a drier sense of humor. The American version is... not terrible, but definitely overrated. (it's a good thing Russia doesn't exist anymore)

So far, the best episodes of Portlandia I remember have been:
Spyke Drives
Nina's Birthday
No-Fo-O-Fo-Bridge
Pull-Out King
Getting Away
The Story of Toni and Candace
Healthcare
Pickathon
Lance is Smart

ETA: Amore and Rose Route. Open Relationship specifically for the gleefully surreal and dark "Snails" sketch. That's got to be one of my favorites.

Anyways, Portlandia + Arrested Development pretty much comprise the entirety of my comedy consumption these days. Occasionally I might watch one of the later-night shows -- I think Seth Meyers is somewhat superior to the others I've watched in the past. He reminds me the most of Jon Stewart's Daily Show.

ETA Dec. 24: Alrighty, I've finished Portlandia (for the most part -- I skipped a few episodes here and there if they seemed boring, but I might go back and watch them later). Overall it's a decent show, but sometimes it's hit or miss. There are definitely episodes/sketches that stand out as better than the others. Some/many are forgettable. It is not like Arrested Development in which *all* of the episodes (well, that I've seen. Haven't watched the appended newer seasons) are good.